Research Film

Collective research initiative of

On researchfilm.net we examine how historical research films can be accessed, contextualized, and reactivated under the conditions of digital media. We combine archival and provenance research with experimental media practice and reflective interface design to develop publication formats that investigate how digital tools can themselves function as scholarly methods.

By research films, we refer to a genre of moving images produced by researchers for researchers, typically not intended for cinema screening and often subsumed under categories such as non-theatrical and useful film. They were produced to act as visual evidence, support theories, or collect the world on film. However, they were also used to popularize science, to justify political ideas and racial hierarchies, or to create aesthetic experiences. Today, these films can serve scholars, artists, and educators as a means for researching and writing (visual) histories.

In our projects, we address a range of epistemic, technical, legal and ethical questions that have become increasingly urgent with the widespread digitization and online availability of film collections:

  • How can visual sources be combined with traditional academic formats, balancing screen-based media with the still vital medium of the book?
  • How can large-scale film collections be examined and integrated into historical narratives?
  • How should sensitive visual material or historical legacies be handled and how can films produced in violent contexts be restituted?
  • How can the different persons involved in or affected by these films be identified, and how can their perspectives be integrated?
  • How can audiovisual archival sources help to critically dissect extractivist histories of science and reimagine relational futures?

Projects

Challenging Collections: Remediating Archival Logics

Open Project →
Collection

Encyclopaedia Cinematographica,
Institute for Scientific Film, Göttingen

Large-scale collection of more than 3’000 16mm films from biology, technical sciences and ethnology, made worldwide, 1950s–1990s, digitized and held at the German Library for Science and Technology, Hanover.

Research Project

Visualpedia. ‘Atlas Encyclopaedia Cinematographica’ and the Visual Science and Technology Studies

SNSF 2022–2026, HERMES 2023/24, ongoing

Tracing Provenance: Towards Multivocal Film Histories

Open Project →
Collection

Films from the former Swiss Tropical Institute (Swiss TPH), Basel, Switzerland

More than 50 16mm films from entomology, medicine, agrochemistry and anthropology, made in Tanganyika/Tanzania, Switzerland, Cote d’Ivore, 1940s–1970s, held at the Basel State Archives.

Research Project

Research Film Provenance

SNSF 2024–2025, Swiss Embassy Dar Es Salaam 2026, ongoing

Following Visual Legacies: Visualizing a Film's Biography

Open Project →
Film

Production of Vortices by Bodies Travelling in Water

By Ludwig Prandtl and Oskar Tietjens, made at the Kaiser-Wilhelm-Institut für Strömungsforschung Göttingen, 1927, digitized and held at the Archive of the Max-Planck-Society.

Book Project

Fließend. Geschichte, Ästhetik und Politik des wissenschaftlichen Films

Konstanz University Press, 2026

Research Tools

As part of ongoing research film projects, we often develop smaller specialized tools that help in the study and data preparation of digital film files. Some of these are available below as web tools or for download on GitHub.

Video Layouter

Create visual timelines of a video from frame snapshots and export as image for film analysis, version comparisons, or manual annotations.

Timecode Converter

Convert video timecodes between seconds and frames, based on a given number of frames per second.

researchfilm.net is the collective research practice of

Sarine Waltenspül (University of Lucerne, University of Basel)
Mario Schulze (University of Basel, University of Lucerne)
Moritz Greiner-Petter (Basel Academy of Art and Design, University of Lucerne)

Funding & Support

Our work has been supported by the Swiss National Science Foundation (SNSF), HERMES (Humanities Education in Research, Data, and Methods), Swiss Federal Department of Foreign Affairs, Museum Tinguely Basel, University of Lucerne & University of Basel.